As Norfolk Wildlife Trust's 2017
events programme comes to an end, Bayley Wooldridge looks back at this
year’s event highlights: the four Cley Calling festivals.
To begin our
celebrations for the year we had our first Cley Calling festival, Spring Song, tie in with International
Dawn Chorus day. The aim of the festival
was to link the natural music and wildlife of the marsh to music and art that
has been inspired by the marshes. On Friday night two sound artists spent the
night in one of the hides in order to record the dawn chorus, which was
broadcast live on the International Dawn Chorus website. The artists gave two
free talks on Saturday morning about the process of capturing sound and played
some of their recordings (which can now be found on Richard Fair’s website).
Throughout the festival we hosted an exhibition called Confluence project,
which showcased the work of three artists who take inspiration from waterways
and coastlines in East Anglia. The exhibition was connected to Sundays evening’s
performance, which involved a piano improvisation and a multi-media visual arts
performance. The education centre was transformed with a grand piano and a dark
space with ever changing images projected onto one of the walls. This was the
most alternative event we had run at Cley and it was great to try something new
within the space.
Next up was Summer Sea, a festival designed to
celebrate life beneath the waves during National Marine Week. A talk by Paul
Sterry and Andrew Cleave kicked off the celebrations; fascinating stories of
their travels across the UK to document our coastal wildlife, combined with
incredible microscopic photographs of elusive sea creatures, made their talk a
brilliant start to the festival. On Friday evening we welcomed James Boyd (right) to Cley
to perform his enchanting ‘Stolen Years’ piece. Readings from the log book of
the Concord interwoven with seasongs and poetry left the audience feeling as
though they were part of the Concord’s story. The remainder of the festival
included a classy evening of Pimms, pizza and poetry featuring Kevin
Crossley-Holland, a glorious sunny day of free marine-based crafts down at Cley
beach, and a mysterious interactive puppet performance for all the family to
enjoy.
The lead up to
Autumn Colours was slightly worrying
for all of us at Cley, because the whole reserve was still looking as healthy
and green as ever as we left the summer months behind! However once the
festival kicked into full swing with the arrival of street artist ATM, we
started to see some of the beautiful autumnal oranges and reds we were hoping
for. Throughout the festival ATM painted a fantastic female marsh harrier on a
mural outside the visitor centre (left), meanwhile a variety of autumnal events
focused on health and wellbeing were taking place all over the reserve. We were
visited by Laurie Parma, a wellbeing researcher from the University of
Cambridge, who gave a fascinating talk on the relationship between wellbeing
and biodiversity. To round off the festival, we finished with a peaceful yoga
session looking out over the marshes, and an early morning ramble around the
reserve followed by a delicious home cooked roast: a perfect end to a wonderful
week.
Last, and by no
means least, was
Winter Skies. We
began the festival with a lunch time talk from Dave Horsley, who shared his
knowledge and photographs of migrating birds from the Arctic. That same
evening, we were joined by the Norfolk Coast Partnership, who gave a talk on
their Dark Skies project and their collaboration with Norfolk Astronomy
Society, who took us out onto the terrace for some stargazing. Saturday night
saw us welcome over 100 guests into the visitor centre for a performance by
Brian Briggs & Jon Ouin, two of the four members of ex-band ‘Stornoway’.
Brian & Jon performed a series of their old songs, which were influenced by
birdsong and wildlife, and shared with the audience some of their most
remarkable experiences with nature. Perhaps the most memorable of their songs
was ‘Boom went the Bittern’, a song that Brian jokingly described as an audio
guide to birdsong, with lyrics such as: ‘“Teacher! Teacher!” said the tits on
the feeder’ and ‘“Chiffchaff! Chiffchaff! said its own name, and I wish they
all did the same’. And finally, on the last day of the festival we hosted the
chair of the Society for Storytelling himself; Paul Jackson. He told his winter
tales for all the family to enjoy as everyone in the audience nibbled away on
some mince pies and sipped at their mulled wine or hot squash. A brilliant
afternoon to prepare us all for the festivities of the Christmas holidays.
We hope
everyone who journeyed to Cley Marshes this year had a truly unforgettable
experience, and we would be delighted to welcome you all back to our beautiful
reserve in 2018. From all of us at Cley Marshes, we thank you for supporting
our work, and wish you a very Merry Christmas and a Happy New Year.
The Cley Calling festivals were made possible thanks to funding from the National Lottery through the Heritage Lottery Fund.